What is Best Life?
TOURING INFO
Best Life is a new, relational show by Theatre Replacement, performed by an audience for an audience, inspired by the machines that make our lives better.
What if these domestic machines could whisper to us the stories of the people they are caring for? In Best Life, they become the audience’s companions—everyday ‘R2D2s’ that teach us how to perform the show for each other. Scenes emerge that reveal a suburban neighbourhood, over a span of 50 years—an origami of everyday objects that the audience interacts with, to build a shared narrative of longing in this moment. An intimate and participatory audience experience that will simultaneously take you back into the past, as well as forward into the far, far future, Best Life also asks a much bigger question about what it is we are leaving behind.
Background + Credits
Best Life was developed through LIFT’s (London International Festival of Theatre) Concept Touring Digital Residency, the Deer Lake Artist’s Residency and through the Shadbolt Centre for the Arts. Created and Directed by TR’s Artistic Director, Maiko Yamamoto, in collaboration with Antoine Bedard (Sound Design), Arthi Chandra (Creation), Itai Erdal (Lighting Design) and Keely O’Brien (Creation and Illustration). Best Life premiered in November 2022 at the Shadbolt Centre for the Arts, was presented at HOLD ON LET GO in 2024 and is currently available for touring.
HOW IT WORKS
Best Life is built for an intimate audience (30 for black boxes; scalable for larger performance spaces), with an additional special role to be filled by a local performer. This role is called The Recounter, and will be explained a little later in this document. After the audience members arrive, they are led to a room or space outside of the theatre.
Here, they engage with three gentle pre-show activations:
They answer the question: Are you living your best life? Their answers are displayed on post-it notes, and accumulate throughout the run of the show.
They are assigned a machine card, which is given to them by Maiko. These will be selected prior to the show through an audience ‘casting’ process, matching each audience member with a particular machine.
They are invited to make an adornment, while thinking about this machine, and what it might do for them, if it does anything at all. The materials to make the adornments include local flora, both indigenous and introduced, as well as string and ribbon, etc. The adornment will be used later in the performance.
These pre-show activations take place in the 30 minutes before the show starts. When the audience is ready, they will be guided into the theatre by The Recounter. From this point onward, the audience experience is guided by a series of gentle invitations and instructions, delivered by voice over, live in the space by Maiko, and through instruction manuals placed at each machine. Through these different modes, the audience performs the show for each other and a larger narrative emerges, revealing the story of a suburban neighbourhood, and a family that did their best to make a life there. During the show, Maiko operates the lights, voice over parts and performs the show with the audience. A sound operator may be required. The length of the show, not including the pre-show activations, runs just over an hour. Best Life tours with 3 people on the road, including Maiko Yamamoto, a Technical Director/Operator and 1 Producer. The team works with the venue/presenter to arrange the local engagement elements.
The Recounter
This role offers a special opportunity to invite a known local performer/writer/personality to play a special part in the show. During the performance, The Recounter acts as a gentle guide for the audience, and witnesses the audience as they move through the piece, while filling in a ‘mad-libs’ style document revolving around each machine narrative that emerges. They then ‘perform’ the story of this particular audience, playing the role of a neighbourhood, back to them. Note: The Recounter arrives an hour prior to each performance to be onboarded into the show.
MORE ABOUT THE SHOW
Best Life shares the story of my parents, who immigrated to Canada from Japan five decades ago, with the intention of starting a new life and raising a family in the quiet suburban neighbourhood in which they still live. Through exploring the machines that filled their everyday lives, as well as the lives of other suburban residents, Best Life offers a unique performance experience for the audience, gently guided by myself (the creator/performer) as well as one local performer per show, drawing upon the context of the presentation location to speak to everyday life in new ways. The relational nature of the work, in which the audience performs the show for each other, gives participants the opportunity to be inside of the experience in a way that makes their own stories, identities and perspectives a collaborating and vital force in the unfolding narrative.
Placing real people at the centre of the work creates a conversation between the hyperlocal and the universal that makes Best Life ripe for touring internationally; Best Life connects with other stories, histories and perspectives of immigrant and suburban ways of life, and makes space for deep connection between cultures and experiences. We believe Best Life has the potential to have a rich and impactful touring life, engaging with audiences around the world.
–Maiko Yamamoto
Artistic Director | Theatre Replacement
CONTACT
theatrereplacement.org
To request tech specs or a full archival please contact:
maiko@theatrereplacement.org
Photos by Chelsey Stuyt